Semicouture satin long-sleeve polo top rose pink polo collar V-neck long sleeves straight hem Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Composition Acetate 87%, Silk 13% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.79 m wearing size 40 Product IDs FARFETCH ID: 19694807 Brand style ID: Y3SM02092

Véronique Leroy Fall 2025: Return of Pattern

Versace Kids Medusa-detailed elasticated-waistband Leggings Blue

PINKO short-sleeve linen T-shirt Highlights dark grey linen jersey texture mélange effect scoop neck short sleeves curved hem Composition Linen/Flax The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Wearing The model is 1.81 m wearing size S Product IDs FARFETCH ID: 23018762 Brand style ID: 103599A1U9

PINKO cropped cardigan Highlights white knitted construction brushed effect cropped front button fastening U-neck long sleeves ribbed cuffs and hem straight hem Composition Nylon 40%, Polyester 27%, Wool 20%, Alpaca Wool 10%, Spandex/Elastane 3% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Wearing The model is 1.77 m wearing size S Product IDs FARFETCH ID: 25365799 Brand style ID: 104341A26V

For her first runway show since the pandemic, Véronique Leroy kept her collection close to home, all the while looking to the East. The Belgian designer, who first presented in Paris in 1983, kept the continuity by using many of the same fabrics and techniques she used back then, such as wool, chunky knits and waterproof nylon. At the same time, she went far afield for an injection of novelty in pattern. Leroy collaborated with the Li ethnic group from China’s Hainan province to use their traditional Lijin brocade and embroidery motifs. She reworked them a bit and blurred them, blew them up and shrunk them down, on sweaters, coats and column dresses. For shapes, she stuck to the classics. “I prefer to read the same book 10 times. If I leave it and come back, every time I see it differently,” she said. “We always have a new eye because we are so influenced by what is happening and what surrounds us [at the current moment].” To further this point, she transformed the silhouettes with precision, such as diamond-shaped shoulders and hip points that jutted from the body. On dresses this tailoring trick nipped the waist but did not add volume at the hips; on coats and dresses it added almost Elizabethan pouf and flounce to sleeves. Leroy worked in a more muted pattern of chocolates and grays than is her wont, and the streamlined palette highlighted the print. Accessories were revisits of shapes past, including large spherical bracelets, left in their metallic state or covered in coordinating fabric. The designer said she returned to the runway after five years simply because the time felt right, and she wanted to go deeper with this new collaboration than a film or book, which is how she has presented since the pandemic. There were soft cushions, too, embroidered with the Lijin motifs, to comfort the weary fashion week flock on the last day of the week. It was all very soothing.

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